上海市徐汇区肇嘉浜路1065号飞雕国际大厦16楼

021 6172 1987

美国音乐学院留学申请之茱莉亚音乐学院-爵士乐介绍

Jazz Studies

朱莉亚校友、小号手和作曲家Wynton Marsalis领衔的爵士乐专业是全美最令人激动和创新的学科之一。不仅结合了爵士乐历史和传统,也为学生提供更多表演机会,让学生们充分融入爵士乐氛围。作为朱莉亚爵士乐学生,可以和当今著名的爵士乐手一起合作,不但可以在茱莉亚爵士乐团中参与演出,还有纽约以及其他地方的演出机会等着你。

爵士乐开设学位
Bachelor of MusicUndergraduate Diploma

Master of Music

Graduate Diploma

Artist Diploma

现任爵士乐专业教师

Ron Blake

自2007年任教于茱莉亚音乐学院,专业Jazz Saxophone。曾任教于西北大学

Wynton Marsalis

自2014年任教于茱莉亚音乐学院,同时也是林肯中心爵士方面艺术总监和管理者。获得了9座格莱美奖项。

Andy Farbe

爵士作曲家和编曲家,萨克斯风独奏家。自2010年起任教于茱莉亚音乐学院,2015年被评为BMI爵士作曲研讨会总监。

Jazz Studies Pre-Screening面试要求
爵士乐专业方向:Jazz Bass、Jazz Drums、Jazz Gitar、Jazz Gitar、Jazz Saxophone、Jazz Trombone、Jazz Trumpet、Jazz Vibraphone以上视频面试在要求方面可能略有不同,但是本科和硕士学位的曲目要求是一致的:Pre-Screening Repertoire:

Category I:  Gospel Song, Spiritual or Ballad  (quarter = 74-177):

“Just a Closer Walk With Thee”  traditional gospel (Any key)

Mahalia Jackson

Patsy Cline and Willie Nelson

“Down by the Riverside” traditional spiritual song (Any key)

Mahalia Jackson

Preservation Hall Jazz Band

“I Can’t Get Started” Ira Gershwin/Vernon Duke (Concert C)

Ella Swings Gently With Nelson  Verve 1962

Sonny Rollins: A Night at the Village Vanguard Blue Note 1958

Category II:  Swing Era/American Songbook Standards (quarter = 176 – half note =129)

“King Porter Stomp” by Jelly Roll Morton (Concert Ab/ 3rd strain to Db))

King Porter (A Stomp) piano solo J Gennett 5289-B (1923)

Fletcher Henderson and His Orchestra  Columbia Records (1928)

“The Song is You” by Jerome Kern/Oscar Hammerstein (Concert C)

Oscar Peterson plays the Jerome Kern Songbook  Verve Records (1959)

Frank Sinatra Come Dance with Me Capitol Records (1958)

Charlie Parker Verve (1953)

“Oh, Lady Be Good” George Gershwin/Ira Gershwin (Concert G)

Count Basie Orchestra with Lester Young  Historical Recordings 2015

Benny Goodman Diamond   Diamond Coast 2004

Category III:  Jazz Standards  (quarter = 132 – 190):

“Epistrophy” by Thelonious Monk

At Carnegie Hall  Blue Note 2004

It’s Monk’s Time  Columbia 1964

“Joyspring” by Clifford Brown (Concert F)

Clifford Brown & Max Roach EmArcy 1954

Freddie Hubbard: Born to Be Blue  Pablo Label 1982

Stan Getz The Dolphin  Concord 1981

Category IV:  Afro-Hispanic/Latin (half note = 75 – 120):

“El Manicero”  by Moises Simons  (a son-pregó in Concert G)

Don Azpiazu Havana Casino Orchestra  1930

Louis Armstrong and his Orchestra 1930

“Desfinado” by Antonio Carlos Jobim (a bossa nova in Concert F)

João Gilberto

Antonio Carlos Jobim & Joe Henderson

Stan Getz & Charlie Byrd

Jazz Studies现场面试要求
Jazz Bass本科和硕士:The audition in New York is composed of two parts: a Musicianship Assessment (used for class placement) and the 1st Round Audition. To be considered for the Jazz Program, you must pass the 1st Round Audition and be invited to the Callback. At the 1st Round Audition, you will:

perform your prescreening selections from memory and without written arrangements along with a professional rhythm section of Juilliard Jazz alumni

perform big band excerpts which you will receive when invited to the 1st Round and are expected to prepare in advance

perform Etude No. 21 in F minor by Franz Simandl

Please note: etudes are required so that applicants can demonstrate their technical proficiency, not their knowledge of any particular style of classical music. Please bring two copies of your etude to the audition.

Jazz Drums本科和硕士:

The audition in New York is composed of two parts: a Musicianship Assessment (used for class placement) and the 1st Round Audition. To be considered for the Jazz Program, you must pass the 1st Round Audition and be invited to the Callback. At the 1st Round Audition, you will:

perform your prescreening selections from memory and without written arrangements along with a professional rhythm section of Juilliard Jazz alumni

perform big band excerpts which you will receive when invited to the 1st Round and are expected to prepare in advance

Prepare all selections below. Panel will choose one of the following solos: quarter =100

Rhythmania by Wilcoxon (from Modern Rudimental Swing Solos)

Battin’ ‘Em Out by Wilcoxon (from Modern Rudimental Swing Solos)

Attaching The 4-Stroke Ruff by Partt (from Rudimental Solos For Accomplished Drummers)

Be able to play the 26 basic rudiments; open and close

Please note: etudes are required so that applicants can demonstrate their technical proficiency, not their knowledge of any particular style of classical music. Please bring two copies of your etude to the audition.

Jazz Guitar本科和硕士:

The audition in New York is composed of two parts: a Musicianship Assessment (used for class placement) and the 1st Round Audition. To be considered for the Jazz Program, you must pass the 1st Round Audition and be invited to the Callback. At the 1st Round Audition, you will:

perform your prescreening selections from memory and without written arrangements along with a professional rhythm section of Juilliard Jazz alumni

perform big band excerpts which you will receive when invited to the 1st Round and are expected to prepare in advance

perform Bb Melodic Minor from “Daily Exercises” by Barry Galbraith pg 34

Please note: etudes are required so that applicants can demonstrate their technical proficiency, not their knowledge of any particular style of classical music. Please bring two copies of your etude to the audition.

Jazz Piano本科和硕士:

The audition in New York is composed of two parts: a Musicianship Assessment (used for class placement) and the 1st Round Audition. To be considered for the Jazz Program, you must pass the 1st Round Audition and be invited to the Callback. At the 1st Round Audition, you will:

perform your prescreening selections from memory and without written arrangements along with a professional rhythm section of Juilliard Jazz alumni

perform big band excerpts which you will receive when invited to the 1st Round and are expected to prepare in advance

Choose one of the following:

J.S. Bach Invention #1 in C Major, BWV772

J.S. Bach Invention #8 in F Major, BWV779

Please note: etudes are required so that applicants can demonstrate their technical proficiency, not their knowledge of any particular style of classical music. Please bring two copies of your etude to the audition.

Jazz Saxophone本科和硕士:

The audition in New York is composed of two parts: a Musicianship Assessment (used for class placement) and the 1st Round Audition. To be considered for the Jazz Program, you must pass the 1st Round Audition and be invited to the Callback. At the 1st Round Audition, you will:

perform your prescreening selections from memory and without written arrangements along with a professional rhythm section of Juilliard Jazz alumni

perform big band excerpts which you will receive when invited to the 1st Round and are expected to prepare in advance

perform Etude No. 1 from “48 Etudes for Saxophone” by Franz Willhem Ferling

Please note: etudes are required so that applicants can demonstrate their technical proficiency, not their knowledge of any particular style of classical music. Please bring two copies of your etude to the audition.

Jazz Trombone本科和硕士:

The audition in New York is composed of two parts: a Musicianship Assessment (used for class placement) and the 1st Round Audition. To be considered for the Jazz Program, you must pass the 1st Round Audition and be invited to the Callback. At the 1st Round Audition, you will:

perform your prescreening selections from memory and without written arrangements along with a professional rhythm section of Juilliard Jazz alumni

perform big band excerpts which you will receive when invited to the 1st Round and are expected to prepare in advance

perform Etude No. 22 from “Melodious Etudes for Trombone” by Joannes Rochut

Please note: etudes are required so that applicants can demonstrate their technical proficiency, not their knowledge of any particular style of classical music. Please bring two copies of your etude to the audition.

Jazz Trumpet本科和硕士:

The audition in New York is composed of two parts: a Musicianship Assessment (used for class placement) and the 1st Round Audition. To be considered for the Jazz Program, you must pass the 1st Round Audition and be invited to the Callback. At the 1st Round Audition, you will:

perform your prescreening selections from memory and without written arrangements along with a professional rhythm section of Juilliard Jazz alumni

perform big band excerpts which you will receive when invited to the 1st Round and are expected to prepare in advance

perform Etude No. 11 from “14 Characteristic Studies” by Jean Baptiste-Arban.

Please note: etudes are required so that applicants can demonstrate their technical proficiency, not their knowledge of any particular style of classical music. Please bring two copies of your etude to the audition.

Jazz Vibraphone本科和硕士:

The audition in New York is composed of two parts: a Musicianship Assessment (used for class placement) and the 1st Round Audition. To be considered for the Jazz Program, you must pass the 1st Round Audition and be invited to the Callback. At the 1st Round Audition, you will:

perform your prescreening selections from memory and without written arrangements along with a professional rhythm section of Juilliard Jazz alumni

perform big band excerpts which you will receive when invited to the 1st Round and are expected to prepare in advance

perform J.S. Bach A minor Violin Concerto, 1st movement, measures 1 – 80.

Please note: etudes are required so that applicants can demonstrate their technical proficiency, not their knowledge of any particular style of classical music. Please bring two copies of your etude to the audition.