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澳洲音乐学院留学申请之悉尼音乐学院Sydney Conservatorium of Music-爵士乐系

爵士乐系

悉尼音乐学院爵士乐系

学院爵士乐专业是澳洲时间最久,受到大家推崇的学科之一。学生们与澳洲知名爵士表演家一起学习,并接受即兴演奏、合奏等训练,目的是为了让每个学生达到高水平艺术修养。小班化教育可以让学生们最大程度和每位老师接触。

除了定期举办大师班课程和客座教授表演课程(最近邀请的老师是Aaron Goldberg和Jim Black),还有学院专家导师每周指导专业课程。爵士音乐商业技能课程还为学生们准备了今后职业生涯非音乐方面的技能。

学生们还能有机会参与各种演出,如学院自己的三大乐团和11个小乐团以及校外爵士音乐节。2010年爵士乐团曾受邀参加上海世博会演出。

开设学位

Diploma of Music

Bachelor of Music (Performance)

Bachelor of Music (Music Education)

Bachelor of Music – Improvised Music – NEW IN 2018

Graduate Diploma in Music (Performance)

Master of Music Studies (Performance)

Master of Music (Performance)

Doctor of Musical Arts (DMA)

Doctor of Philosophy (PhD)

爵士乐教师

DAVID THEAK

DAVID THEAK

1990年起便开始在爵士领域崭露头角。他的爵士乐队Jazzgroove Mothership Orchestra (JMO)享誉全球,曾和诸多著名人士参与合作,如Maria Schneider, Chris Potter, Darcy James Argue, Miguel Zenon, Jim McNeely, Alex Sipiagin, Bob Sheppard, Mike Nock, Bert Joris等。

 

CRAIG SCOTT

CRAIG SCOTT

自1979年起开始在爵士乐领域工作,曾与多位其他知名爵士音乐家合作,如Don Burrows, James Morrison, Julian Lee, Kerrie Biddell, Paul MacNamara, Steve Brien, Judy Bailey, Roger Frampton, Gordon Brisker, Cathy Harley, Trevor Griffin, Serge Ermoll, Jim Pennell。

他潜心钻研爵士学习,在澳洲和新西兰举办多次大师班课程,2002年被伯克利音乐学院邀请担任客座讲师。

等其他老师

面试要求

Undergraduate

Jazz Performance (Instrumental) and Jazz Vocal

If you are applying for principal study in jazz performance in any course in which it is offered, you should be aware of the following:

The audition examines a range of musical skills and has a duration of approximately 15 to 20 minutes.

You will be provided with accompaniment.

Drum kit, amplifiers, pianos and vibraphones are also provided.

Please note: Drummers should bring their own cymbals and hi-hat clutch, and bassists and guitarists should bring their own leads.

Jazz Instrumental (except drummers)

A jazz standard from the list of songs below: You should perform the melody in a jazz style and one or two choruses of improvisation over the form of the tune. There is no need to play the melody again at the end of the tune. Bassists should be able to perform the melody and walk through the chord changes, as well as solo. Guitarists and pianists should be able to demonstrate accompanying skills by playing behind a bass or piano solo as appropriate.

Song List for Jazz Auditions: Autumn Leaves (Kosma/Mercer), All The Things You Are (Jerome Kern), Stella By Starlight (Victor Young), I Love You (Cole Porter), On Green Dolphin Street (B. Kaper), Take The A Train (Duke Ellington), In A Mellow Tone (Duke Ellington), It Could Happen To You (J. Van Heusen), There Is No Greater Love (Marty Symes/Isham Jones), Someday My Prince Will Come (Frank Churchill) and What Is This Thing Called Love (Cole Porter).

The 12-bar blues: A specific jazz blues melody is not required. You should solo in jazz style for three choruses on the 12-bar blues with chord changes in three consecutive chromatic keys. For example, first chorus in C, modulating up a semitone to Db for the second chorus, modulating up a semitone to D for the third chorus. The keys chosen may not be C, Db and D. You are strongly advised to know the blues in all 12 keys. Suggested 12-bar blues chord progression:

| C7 | F7 | C7 | C7 | F7 | F7 | C7 F7 | E-7 A7 | D-7 | G7 | C7 | D-7 G7 |

The above example is in C and needs to be transposed to other keys, and the last bar needs to be raised by a semitone to transpose into a key centre a semitone higher, as per the blues audition requirement. In the above example, the last bar should be Eb-7/Ab7 to arrive at Db7.

Scales and arpeggios (technical exam): You will be asked to play the major scale, the melodic minor and harmonic minor scale in any or all of the 12 keys and the arpeggios of the various chord types drawn from the following: major, major 7, dominant 7, minor, minor 7, minor 7b5, diminished, diminished 7 and augmented in any of the 12 key tonalities.

Sight reading: You will be asked to sight read the melody of a jazz standard, play it in an appropriate jazz style and then improvise a solo of the chord changes for one chorus to demonstrate the ability to read musical notation as well as follow and interpret a set of chord changes.

Jazz Instrumental (drummers only)

A jazz standard from song list for jazz auditions: You will set the tempo of the tune and will perform in a trio setting (with bass and either piano or guitar) with the following format: one chorus of trio playing the melody; one chorus piano or guitar solo (bass and drums accompanying); one chorus drum solo over the form of the tune; and there is no need to play the melody again at the end of the tune. You should demonstrate accompanying skills, good “time” and “feel” and ability to solo in a style appropriate to the chosen tune.

The 12-bar blues: A specific blues melody is not required. You will perform a 12-bar blues in a trio setting, the tempo of which will be set by the audition panel in the format of four choruses of trio playing, followed by four choruses of four bar exchanges, i.e. four bars piano, bass and drums, four bars drums, etc. You will be assessed on time, feel and stylistic appropriateness.

Sight reading test: You will be asked to sight read a short drum chart which will be played with the bass and piano or guitar. The chart will be in typical big-band style with figures or “hits” above the stave, etc. You will be assessed on accuracy, interpretation, dynamics and fluidity.

Grooves/Styles: You will be asked to play the following feels at an appropriate tempo range: bossa nova, mambo, ballad (brushes), medium swing (brushes), medium/fast swing (brushes), jazz waltz and fast swing (sticks). You will be assessed on consistency of time and feel, dynamics and the authenticity of the various feels.

Jazz Vocal

Jazz vocal style: You will sing two jazz standards–one swing or bossa nova and one jazz ballad from the lists below:

Swing and Bossa Nova: Autumn Leaves (Kosma/Mercer), All The Things You Are (Jerome Kern), Stella By Starlight (Victor Young), Our Love Is Here To Stay (George Gershwin), I Love You (Cole Porter), On Green Dolphin Street (B. Kaper), Take The A Train (Duke Ellington), Satin Doll (Duke Ellington), It Could Happen To You (J. Van Heusen), Someday My Prince Will Come (Frank Churchill), What Is This Thing Called Love (Cole Porter), Corcavado (A.C. Jobim) and Triste (A.C. Jobim).

Jazz Ballads: My Funny Valentine (Rodgers and Hart), But Beautiful (J. Van Heusen), My Foolish Heart (V. Young), Polkadots and Moonbeams (J. Van Heusen), Darn That Dream (J. Van Heusen), When Sunny Gets Blue (Segal & Fisher) and Body and Soul (J. Green).

Scales: You must be able to sing the major, melodic minor and harmonic minor scales.

Sight Reading: You must be able to accurately read a written melody that will take into account your voice type and range.

Postgraduate

Instrumental principal study is available in bass, brass, drums, guitar, piano, vibraphone , woodwind and voice.

You will be required to complete an audition lasting approximately 30 minutes comprised of selections that reflect your musical interests. You will also be required to attend an interview of approximately 30 minutes conducted by your audition panel.

 

下一期将介绍悉尼音乐学院Sydney Conservatorium of Music-音乐教育专业