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美国音乐学院留学申请之新英格兰音乐学院The New England Conservatory-铜管系

铜管系

新英格兰音乐学院铜管系

Freedom to express yourself musically

NEC的铜管专业老师几乎占据了波士顿交响乐团的铜管乐器演奏部分,而学生们也紧随着老师们的步伐成为波士顿交响乐团未来的演奏者一员。

这里的演出机会众多,包括独奏,室内乐,交响音乐会等。你将与其他有才华的学生一起演出。每年的铜管庆典音乐会则是NEC和波士顿交响乐团的年度盛典。

#戳视频,看看在NEC学习铜管是怎么样的体验?

 

开设学位:

Bachelor of Music

Master of Music

Graduate Diploma

DMA

现任铜管系教师:

Norman Bolter

Norman Bolter

曾在NEC和Tanglewood Music Center学习。曾任教于曼尼斯音乐学院和波士顿大学。现今任教于NEC和波士顿音乐学院以及Longy School。

 

Eli Epstein

Eli Epstein

1987-2005担任克利夫兰交响乐团的圆号副首席,并在1989年-2005年担任克利夫兰音乐学院圆号教授。曾以独奏家身份与费城交响乐团和克利夫兰交响乐团合作。

2005年之后开始任教于NEC,并担任铜管专业主任和铜管青年乐团负责人。同时任教于波士顿音乐学院。

等其他老师

面试要求

French Horn

Prescreening (All Undergraduate and Graduate MM & GD):

One solo movement from the standard repertoire

Two contrasting etudes

A two octave E major scale (horn pitch), ascending and descending, played in sixteenth notes at a minimum of quarter note equals 90 beats per minute, tongued and forte

A three octave B harmonic minor scale (horn pitch), ascending and descending, played in sixteenth notes at a minimum of quarter note equals 90 beats per minute, slurred and piano

Undergraduate Live Audition:

Two contrasting solo movements from the standard repertoire.
Examples include, but are not limited to:
•  First Movements to Mozart No.3 and Strauss No.1
•  First Movements to Haydn No.2 and Hindemith Sonata
•  First Movements to Franz Strauss Concerto and Beethoven Sonata

Two contrasting etudes.
Examples include, but are not limited to:
•  Kopprasch Book No.1
•  Gallay 12 Studies for 2nd Horn, Op.57
•  Maxime-Alphonse Book No.2 or No.3
•  Kling

Contrasting orchestral excerpts demonstrating tone, rhythm, range, dynamic control and technique.
Examples include, but are not limited to:
•  Beethoven Symphony No.6
•  Brahms Symphony No.3
•  Tchaikovsky Symphony No.5
•  Strauss Till Eulenspiegel
•  Shostakovich Symphony No.5, low tutti

Major and minor scales, transposition, and sight-reading are also required.

Graduate Live Audition:

Two contrasting solos from the standard repertoire (entire works).
Examples include, but are not limited to:
•  Mozart No.4 and Gliere Concerto
•  Mozart No.2 and Strauss No.2
•  Haydn No.1 and Schumann Adagio and Allegro

An orchestral excerpt from each of the following categories (total of 5):
A.  Tchaikovsky Symphony No.5, Mendelssohn Nocturne, Brahms Symphony No.2 or No.3
B.  Beethoven Symphony No.7, Wagner Siegfried Call, Strauss Don Juan (final call in E)
C.  Shostakovich Symphony No.5 (low tutti), Strauss Don Quixote (variation 7 and 8), Tchaikovsky Symphony No.5 (4th movement, 2nd horn)
D.  Ravel Pavanne or G Major Piano Concerto, Berlioz Queen Mab (Scherzo, 3rd Horn), Franck Symphony in D Minor
E.  Strauss openings to Till Eulenspiegel, Ein Heldenleben, or Der Rosenkavalier (through B major arpeggios)

Sight-reading and transposition are also required.

Trumpet

Prescreening (All Undergraduate and Graduate MM & GD):

Please submit a video, recorded straight through with no internal edits, of the following:

Charlier Étude #2, measures 1-24, as printed on B-flat trumpet

Beethoven Leonore Overture No. 2, offstage solo

A two octave B-flat (concert pitch) scale, ascending and descending, played in quarter notes at quarter note equals 120 beats per minute in a clearly articulated manner.

Undergraduate Live Audition:

Enesco Legend, through measure 42

Brandt Orchestral Etude #1 (edited by William Vacchiano)

Bousquet Etude No. 3 (from 36 Celebrated Studies for the Cornet)

Orchestral Excerpts:
•  Beethoven Leonore Overture No. 2, offstage solo
•  Respighi Pines of Rome, offstage solo
•  Mussorgsky/Ravel Pictures at an Exhibition, opening Promenade

Graduate Live Audition:

F.J. Haydn Movement 1 (opening through development)

Honegger Intrada

Copland Outdoor Overture

Mahler Symphony No.5, opening solo

Stravinsky Petrouchka “Ballerina’s Dance” (1947)

Tenor Trombone

Prescreening (All Undergraduate and Graduate MM & GD):

Guilmant-Morceau Symphonique (Concert Piece) Op. 88: Allegro Moderato to 10 measures after the Andante Sostenuto

Bordogni/Rochut No. 13 in Eb major (end at m. 24)

Berlioz Hungarian March (Trombone 2 part): 6 measures before Fig. 4 to 2nd measure of Fig. 5

Mozart Requiem: Trombone II, Tuba Mirum to downbeat of m. 18.

Undergraduate Live Audition:

Two contrasting movements of the following solos or a piece at a comparable level:
•  Hindemith Sonata
•  Sulek Sonata “Vox Gabrieli”
•  Grondahl Concerto
•  David Concertino
•  Lars-Erik Larsson Concertino
•  Saint-Saens Cavatine
•  Bozza Ballade

One of the following etudes or others at a comparable level:
•  Rochut – Book 1 or 2
•  Blazhevich Clef Studies
•  Arban’s Method, Characteristic Studies
•  Kopprasch – Book 1 or 2

Three contrasting orchestral excerpts chosen from the following:
•  Berlioz Hungarian March
•  Mahler Symphony No.3, first movement
•  Rossini La Gazza Ladra
•  Rimsky-Korsakov Russian Easter Overture
•  Ravel Bolero

Graduate Live Audition:

Two contrasting movements of the following solos or a piece at a comparable level:
•  Grondahl Concerto
•  Tomasi Concerto
•  Martin Ballade
•  Creston Fantasy
•  Milhaud Concertino

One of the following etudes or others at a comparable level:
•  Bitsch Etudes
•  Rochut – Book 2 or 3
•  Bozza Etudes

Three contrasting orchestral excerpts chosen from the following:
•  Ravel Bolero
•  Rossini William Tell Overture
•  Wagner Ride of the Valkyries, B Major section
•  Mahler Symphony No.3, first movement
•  Schumann Symphony No.3, “The Rhenish,” fourth movement
•  Mozart Requiem, Tuba Mirum
•  Strauss Also Sprach Zarathustra
•  Strauss Ein Heldenleben

Bass Trombone

Undergraduate & Graduate (prescreening and live audition):

Two solos or etudes of contrasting nature.

Orchestral excerpts, chosen from the list below.
Undergraduate applicants prepare 2 excerpts.
Graduate applicant prepare 6 excerpts.
Bartok Miraculous Mandarin (Opening)
Berlioz Damnation of Faust (Hungarian March)
Brahms Symphony No.1
Franck Symphony in D Minor
Haydn The Creation (No.26 – “Achieved is the Glorious Work”)
Kodaly Hary Janos Suite
Mozart Requiem (Kyrie – colla parte with chorus bass part)
Respighi Fountains of Rome
Rossini La Gazza Ladra Overture
Rossini William Tell Overture
Schumann Symphony No.3, “Rhenish” (Mvt.4)
R. Strauss Ein Heldenleben
R. Strauss Till Eulespiegel
Wagner Lohengrin (Prelude to Act 3, both octaves)
Wagner Das Rheingold (Scene 2)
Wagner Das Rheingold (Final scene: Entrance of the Gods to Valhalla)
Wagner Tannhauser (Overture)
Wagner Die Walkure (Ride of the Walkure; minor and major sections)

Tuba

Undergraduate:

Borodogni – melodic study

Kopprasch – technical etude

All scales

Excerpts:
•  Wagner “Meistersinger” Overture (Letter J to the end)
•  Wagner Ride of the Valkyries
•  Berlioz Hungarian March
•  Stravinsky Petroushka

Solos:
•  Vaugn Williams Concerto (mvts.1 and 2)
•  Hindemith Sonata for Tuba

Graduate:

Borodogni – melodic study

Charlier – trumpet studies

One Kopprasch technical etude

Orchestral Excerpts:
•  Wagner “Meistersinger” Overture (Letter J to the end)
•  Wagner Ride of the Valkyries
•  Stravinsky Petroushka, solo
•  Berlioz Hungarian March, solo
•  Respighi Fountains of Rome

Select two of the following solos:
•  Vaughn Williams Concerto
•  Penderecki
•  Koetsier Sonata
•  Bach Flute Partita
•  Casterade Sonata
•  John Williams Tuba Concerto

 

下一篇将介绍新英格兰音乐学院The New England Conservatory-爵士乐系