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美国音乐学院留学申请之波士顿音乐学院Boston Conservatory-打击乐/马林巴

Percussion/Marimba

波士顿音乐学院-打击乐/马林巴

打击乐通常被称为音乐整体的支柱,它是世界上几乎所有音乐流派的重要组成部分。在波士顿音乐学院,打击乐教师拥有不同表演经历和音乐审美,训练你成为一个充满活力全能型职业打击乐演奏者。

打击乐专业为学生们提供多元化表演机会,包括管弦乐团、室内乐团、学生合作团体、以及舞台剧、歌剧和音乐剧。此外,学生还可以辅修伯克利音乐学院的其他课程来提升自己的学习和表演经验。

学院的打击乐老师代表着广泛的专业知识,在与他们学习的过程中,可以选择一位专业教师进行集中训练,也可以根据自己水平选择其他教师进行学习。通过大量波士顿音乐学院和伯克利音乐学院的演出机会,学生在探索新的音乐渠道和打击乐器风格的同时,更加熟悉打击乐的技巧。

提供学位有:

Bachelor of Music in Percussion Performance

Master of Music in Percussion Performance

Graduate Performance Diploma in Percussion Performance

Professional Studies Certificate in Percussion Performance

Artist Diploma in Percussion Performance

Master of Music in Marimba Performance

Graduate Performance Diploma in Marimba Performance

Professional Studies Certificate in Marimba Performance

Artist Diploma in Marimba Performance

现任打击乐/木管教师有:

Nancy Zeltsman

Nancy Zeltsman

毕业于新英格兰音乐学院,师从Vic Firth。

自1993年起任教于波士顿音乐学院和伯克利音乐学院,教授马林巴演奏和室内乐。2017年秋季,她开设了一个新项目:ZMF On Tour。

Zeltsman首演了超过130场独奏和室内乐演出,并且在美国、墨西哥、中国和日本演出。

自2001年起,Zeltsman一直担任Zeltsman马林巴音乐节艺术总监,这是一个为期两周的年度夏季研讨会和音乐会系列。Zeltsman是Intermediate Masterworks for Marimba的项目协调员和编辑(获得约200人支持)。

2013年,她被任命为荷兰阿姆斯特丹音乐学院马林巴演奏客座教师,每年都会在那里进行2周教学。

Samuel Solomon

Samuel Solomon

2015年起任教于波士顿音乐学院,现为打击乐副教授。

他同时任教于波士顿大学和Tanglewood Institute。2007年-2011年是马萨诸塞州打击乐协会主席,他的书籍《How to Write for Percussion》获得了来自世界各地作曲家、表演者和指挥家的好评,并以三种语言出版。他还撰写了三本关于打击乐的书籍,并策划了两本关于打击乐练习曲和独奏曲书籍。

Samuel Solomon是Yesaroun’ Duo和the Line C3打击乐乐队创始人。2005年-2010年是哈佛大学常驻打击乐手。2003年-2015年是Amici New York室内乐团首席定音鼓手。

Samuel Solomon的作品经常被用在通用汽车、Albany、Bedroom Community、New Focus和Tzadik labels。

等其他教师

面试要求:

本科生:

Percussion

Auditions must be performed without accompaniment.

Applicants must demonstrate proficiency in the areas described below. You are encouraged to program creatively so as to represent your skills well and also demonstrate something unique about yourself as a musician.

Snare Drum

Perform both of the following, totaling about four minutes:

Concert etude. Suggested composers: Délécluse, Cirone, Aleo, Peters.

Rudimental solo. Suggested composers: Pratt, Tompkins, Wilcoxon.

Mallets (xylophone, marimba, vibraphone: your choice)

Perform both of the following, totaling at least four minutes:

Two-mallet solo. Suggested composers: Bach (preferably from Sonatas and Partitas for Unaccompanied Violin OR Suites for Unaccompanied Cello), Kreisler, Abe, Green, or selections from the MassChap 2010 Xylophone Collection.

Four-mallet solo. For suggestions, see Recommended Solos.

Note: For two-mallet and/or four-mallet solo, creative adaptations of any other composers’ works are most welcome. In general, pieces with tempo fluctuations and a variety of rhythms and characters are preferred over perpetual motion pieces.

Timpani

Perform the following, totaling about three minutes:

Solo piece, about three minutes in duration. Suggested composers: Woud, Hochrainer, Firth, Délécluse, Lepak, Macarez, Carter.

Note: Etudes that demonstrate standard orchestral timpani musicianship are preferred (e.g., Woud or Hochrainer etudes are preferred over Carter solos).

研究生:

Percussion

Auditions should be performed without accompaniment (although playback of electronics on CD or MP3 player is acceptable).

Graduate applicants must demonstrate proficiency in the areas described below.

In addition, graduate applicants must prepare two (2) standard orchestral excerpts each for snare drum, timpani, and xylophone.

Graduate applicants may be asked to sight read on the instruments below.

Graduate applicants to the contemporary music program should follow other repertoire guidelines.

You are encouraged to program creatively so as to represent your skills well and also demonstrate something unique about yourself as a musician.

Snare Drum

Perform both of the following, totaling about four minutes:

Concert etude. Suggested composers: Délécluse, Cirone, Aleo, Peters.

Rudimental solo. Suggested composers: Pratt, Tompkins, Wilcoxon.

Mallets (xylophone, marimba, vibraphone: your choice)

Perform both of the following, totaling at least four minutes:

Two-mallet solo. A work of your choice; be creative! Some suggestions are Bach Sonatas and Partitas for Unaccompanied Violin, or Suites for Unaccompanied Cello, or selections from the MassChap 2010 Xylophone Collection.

Four-mallet solo. For suggestions, see Recommended Solos.

Note: For two-mallet and/or four-mallet solo, creative adaptations of any other composers’ works are most welcome. In general, pieces with tempo fluctuations and a variety of rhythms and characters are preferred over perpetual motion pieces.

Timpani

Perform the following, totaling about three minutes:

Solo piece, about three minutes in duration. Suggested composers: Woud, Hochrainer, Firth, Délécluse, Lepak, Macarez, Carter.

Note: Etudes that demonstrate standard orchestral timpani musicianship (e.g., Woud or Hochrainer etudes) are preferred over Carter solos.

学费:

学费:

本科:43,860美金/年

研究生:

M.M./M.F.A.:43,860美金/年

Graduate Performance Diploma:25,674美金/年

Artist Diploma in Performance:25,674美金/年

Professional Studies Certificate:25,674美金/年

申请截止日期及语言要求:

申请截止日期:12月15日

材料递交截止日期:1月15日

英语成绩:

本科:

托福73,雅思6

研究生:

托福79,雅思6.5

 

下一篇将介绍波士顿音乐学院Boston Conservatory-暑期活动