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美国音乐学院留学申请之印第安纳大学Jacobs School of Music-打击乐

Percussion

印第安纳大学音乐学院-打击乐

无论是本科、研究生还是更高层次的学习,每个学生都能在各方面受到最专业的指导,包括管弦打击乐、定音鼓、马林巴等。

打击乐教师都是知名音乐学者、获奖者,学生们除了能够和这些优秀教师一起学习之外,还能获得宝贵的演出机会,包括交响乐团、歌剧团和芭蕾舞团。

开设学位有:

本科:

Bachelor of Music
Bachelor of Music Education
Bachelor of Science in Music and an Outside Field

研究生:

Master of Music

Master of Music in Orchestral Conducting

博士:

Doctor of Music

文凭类:

Artist Diploma

Performer Diploma

课程设置:

Seminar in Percussion Performance

Seminar in Percussion History

Percussion Ensemble Literature

等其他课程

现任打击乐教师有:

John Tafoya

John Tafoya

现任打击乐主任、教授。本科和硕士均毕业于印第安纳大学。

1999年-2007年,他一直担任国家交响乐团定音鼓首席。在这之前曾担任美国管弦乐队、National Repertory Orchestra、Owensboro Symphony (Ky.)、佛罗里达爱乐乐团等定音鼓首席。也曾和印第安纳波利斯交响乐团、圣路易斯交响乐团、巴尔的摩交响乐团和底特律交响乐团合作演出。

Kevin Bobo

Kevin Bobo

本科毕业于卫奇塔州立大学,研究生毕业于伊萨卡学院,打击乐师从J. C. Combs 和Gordon Stout,作曲师从Greg Woodward和Dana Wilson。

2003年任教于Jacobs school of Music并担任助理教授,自2007年起担任学院打击乐教授。

作为一名独立马林巴演奏家,他在五大洲进行了表演,足迹遍布台湾、新加坡、阿根廷、波多黎各、墨西哥、澳大利亚、西班牙、拉脱维亚、立陶宛、法国、意大利、捷克共和国等以及美国近40个州。

而作为一名作曲家,他的作品也在世界范围内被演出。

等其他教师

面试:

本科:

Bachelor of Music (B.M.)

Bachelor of Music Education (B.M.E.)
Bachelor of Science in Music and an Outside Field (B.S.O.F.)

Snare Drum: One solo or etude from Delecluse, Albright, Cirone, Peters, Goldenberg, or equivalent.

Marimba: 4-mallet solo. One movement or solo/etude from Stout, Abe J.S. Bach, Sammut, Zivkovic, Rosauro, or equivalent.

Timpani: A short solo or etude: 3-4 timpani preferred (Carter, Goodman, Vic Firth, Peters, Delecluse, Schinstine, or equivalent).

*Please note: If you plan to perform any work that includes “butt-ends” on timpani (Carter: March, Vic Firth Etude I, etc.) please cover the end of your mallets with moleskin or something similar. Any solo that includes “playing on the bowls” is not recommended.

Drum Set: Demonstrate basic skills and techniques on drum set with an emphasis on time and feel.  Perform a basic groove in the styles of jazz, rock and Latin with a play-along track of your choice.  The appropriate tracks can be found in “Drumset 101” or “Essential Styles” book one (Alfred Publishing).

World Percussion: Demonstrate basic skills and techniques on the world percussion instrument of your choice (conga drum, timbales, djembe, dumbek, etc.) with an emphasis on good time and feel.  Knowledge of the appropriate musical context is expected.   Suggested material: Afro-Cuban rhythms presented in “Introduction to the Conga Drum” DVD (Spiro/SherMusic – http://www.shermusic.com/new/242169.shtml), Part III.

研究生:

Master of Music (M.M.)

A Delecluse snare drum etude or advanced level etude/solo of your choice.

An advanced-level 4-mallet marimba solo suitable for a senior recital.

An advanced-level timpani solo or advanced etude.

*Please note: If you plan to perform any work that includes “butt-ends” on timpani (Carter: March, Vic Firth Etude I, etc.) please cover the end of your mallets with moleskin or something similar. Any solo that includes “playing on the bowls” is not recommended.

Orchestral Excerpts

Timpani

Beethoven:  Symphony No.9, Mvmt. IV, 7 measures after letter T to the end

Snare Drum

Prokofiev:  Lt. Kije, Mvmt. I, rehearsal 1-1 to measure before rehearsal 2

Rimsky-Korsakov:  Scheherazade, Mvmt. IV, 4 measure before Letter N to 18 measures after Letter N

Xylophone

Gershwin:  Porgy and Bess (opening measures)

Glockenspiel

Dukas:  Sorcerer’s Apprentice, rehearsal 17 to 4 measures after rehearsal 19; rehearsal 22 to rehearsal 24

Drum set/Jazz Vibes*

If your intended course of graduate study includes drum set: A big band chart, transcription or published solo. Demonstration of time and soloing in the following styles: medium swing, up-tempo swing, rock, bossa nova, and samba (play-along tracks are preferred).  A prepared jazz vibraphone solo or etude is also strongly encouraged.

World Percussion**

If the applicant has any experience with World Percussion (Afro-Cuban hand-drumming, Steel Pan, Brazilian, etc.) a short performance is encouraged but not mandatory.

Prospective MM Percussion candidates who wish to focus only on World Percussion should prepare one etude from “The Language of the Masters” (Spiro/Sher Music-http://www.shermusic.com/1883217881.php) and 2 other solos in contrasting styles; including a hand drumming solo, a stick drumming solo, and must be able to sing one piece in the language of one of their chosen solo areas. The above solos will take the place of the snare drum, timpani, marimba, solo and orchestral repertoire requirements. General sight-reading at the live audition may be requested.

*For those graduate students seeking Associate Instructor assistantships, a drum set solo (and experience in drum set instruction) is mandatory.

**Those candidates seeking an Associate Instructor position in the area of World Percussion should include a performance on the World Percussion instrument of their choice or include an etude from “The Language of the Masters” (Spiro/Sher Music-http://www.shermusic.com/1883217881.php)

博士:

Doctor of Music (D.M.)

A Delecluse snare drum etude or advanced level etude/solo of your choice.

An advanced-level 4-mallet marimba solo suitable for a master’s degree recital.

An advanced-level timpani solo suitable for a master’s degree recital or advanced etude.

*Please note: If you plan to perform any work that includes “butt-ends” on timpani (Carter: March, Vic Firth Etude I, etc.) please cover the end of your mallets with moleskin or something similar. Any solo that includes “playing on the bowls” is not recommended.

Orchestral Excerpts

Timpani

Beethoven:  Symphony No.9, Mvmt. IV, 7 measure after letter T to the end

Bartok:  Concerto for Orchestra, Mvmt IV, measures 42-50

Snare Drum

Prokofiev:  Lt. Kije, Mvmt. I, rehearsal 1-1 to  measure before rehearsal 2

Rimsky-Korsakov: Scheherazade, Mvmt. IV, 4 measure before Letter N to 18 measures after Letter N

Xylophone

Gershwin:  Porgy and Bess (opening measures)

Glockenspiel

Dukas:  Sorcerer’s Apprentice, rehearsal 17 to 4 measures after rehearsal 19; rehearsal 22 to rehearsal 24

Drum Set *

If your intended course of graduate study includes drum set: A big band chart, transcription or published solo. Demonstration of time and soloing in the following styles: medium swing, up-tempo swing, rock, bossa nova, and samba (play-along tracks are preferred). A prepared jazz vibraphone solo or etude is also strongly encouraged.

World Percussion**

If the applicant has any experience with World Percussion (Afro-Cuban hand-drumming, Steel Pan, Brazilian, etc.) a short performance is encouraged.

Prospective DM Percussion candidates who wish to focus only on World Percussion should prepare one etude from “The Language of the Masters” (Spiro/Sher Music-http://www.shermusic.com/1883217881.php) and 2 other solos in contrasting styles; including a hand drumming solo, a stick drumming solo, and must be able to sing one piece in the language of one of their chosen solo areas. The above solos will take the place of the snare drum, timpani, marimba, solo and orchestral repertoire requirements. General sight-reading at the live audition may be requested.

*For those graduate students seeking Associate Instructor assistantships, a drum set solo (and experience in drum set instruction) is mandatory.

**Those candidates seeking an Associate Instructor position in the area of World Percussion should include a performance on the World Percussion instrument of their choice.

Prospective DM Percussion candidates who wish to focus only on World Percussion should prepare 3 solos in contrasting styles; including a hand drumming solo, a stick drumming solo, and must be able to sing one piece in the language of one of their chosen solo areas. The above solos will take the place of the snare drum, timpani, marimba, solo and orchestral repertoire requirements. General sight-reading at the live audition may be requested.

*For those DM students seeking Associate Instructor assistantship consideration, a drum set solo (and experience in drum set instruction) is also encouraged but not mandatory.

**Those candidates seeking an Associate Instructor position in the area of World Percussion should include a performance on the World Percussion instrument of their choice or include an etude from “The Language of the Masters” (Spiro/Sher Music-http://www.shermusic.com/1883217881.php)

Special Note: The percussion faculty encourages all potential DM candidates to review the curriculum requirements for this degree program. Information (including specific proficiency requirements and other important information) can be found online at: http://music.indiana.edu/degrees/graduate-diploma/doctoral/index.shtml

Live Percussion Audition Information

Information for applicants who are invited to a live audition

All applicants shall provide 4 copies of their audition repertoire to the audition committee. Your live audition should include some of the same repertoire as your video screening recording. However, other works not presented on the video screening recording are also acceptable.

Sight-reading will be requested during the live auditions.

The following instruments will be provided by the percussion department for the live auditions:

Set of five Yamaha Professional Series 7200 timpani

5-octave Marimba (either Yamaha YM5100A or Malletech)

Pearl Philharmonic Snare Drums: 6.5″ x 14″ wood shell and 5″ X 14″ aluminum shell

Malletech 4.0 octave rosewood xylophone

Musser M75 Century vibraphone (gold graduated bars), 3 octaves

Drum set: 4 piece (20″ bass) with hi hat, crash and ride cymbals

LP Classic congas and LP Galaxy Giovanni bongos

Djembe (if needed)

A sound system (for ipod/CD playback) is also available.

If any additional equipment is needed (multiple percussion, piano, etc.), please notify the chair of the department, John Tafoya, at (812) 855-4839, at least one week prior to the audition date. Candidates must bring their own sticks/mallets and are encouraged to bring their own small instruments.

Please note: If you plan to perform any work that includes “butt-ends” on timpani (Carter: March, etc.) please cover the end of your mallets with moleskin or something similar. Any solo that includes “playing on the bowls” is not recommended.

 

下一篇将介绍印第安纳大学Jacobs School of Music-音乐教育专业