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英国音乐学院留学申请之皇家威尔士音乐与戏剧学院Royal Welsh College of Music & Drama-弦乐系

Strings

皇家威尔士音乐戏剧学院-弦乐

皇家威尔士音乐与戏剧学院的弦乐系是英国所有音乐学院中最具活力的一个,我们为学生们提供协作且具有竞争的环境,这样他们与音乐才能有最完美的接触。在管弦乐训练和室内乐指导等领域,我们除了给学生提供强有力的培训支持外,还有诸多表演机会。

弦乐系有三个专业的伴奏者,每一位学生都能与他们合作,皇家威尔士是一所全斯坦威音乐学院,但是弦乐的学生还是能有机会与学习羽管键琴的学生一起排练和演出。表演课程很广泛,小到特定器乐的大师班课程,大到正式的演奏会、公开演出或者与来访艺术家一起表演。每年都会在学院世界级音乐厅举办多场场鼓舞人心的音乐会,其中大部分都是免费提供学生的。

开设学位有:

本科:

BMus (Hons) Music

研究生:

Master of Music

文凭类:

Postgraduate Diploma Advanced Professional Practice

现任弦乐教师有:

Simon Jones

Simon Jones

弦乐系主任。

Simon先后在布里斯托大学、牛津大学和约克大学求学,并在2013年取得了弦乐表演博士学位。

作为一位表演者,他在英国和国外都有一个繁忙的演出和独奏巡演,以及电影和电视的商业合作。Simon也是世界最好之一的室内乐团Arcangelo的其中一位领导人,最近刚刚发行了Guadagni 的Arias咏叹调专辑,并获得了2012年留声机大奖。

 

Itzhak Rashkovsky

Itzhak Rashkovsky

Itzhak Rashkovsky是国际知名小提琴演奏家、教育家。

毕业于Samuel Rubin Israeli Academy of Music,并获得硕士学位,师从Yair Kless。

目前他是英国最受欢迎的小提琴教师,他的学生来自世界各地,也是许多国家和国际竞赛的获胜者。

除了在世界各地担任独奏和室内乐演奏家外,还在欧洲、以色列、中国、日本、加拿大和美国等地授课,并在众多国际比赛中担任评委。

他是以色列Keshet Eilon小提琴大师班的创始人和音乐总监,这是一个国际的暑期项目,专门针对才华出众的年轻小提琴家,同样也适用于与其他优秀且有经验的大师班创始人和音乐总监。

等其他教师

面试:

本科:

BMus (Hons) Music:

You should prepare TWO pieces that contrast in style and tempo. You are advised to select pieces which allow you to demonstrate the full extent of your ability. It is advised that you do not prepare pieces from pre-Grade 8 syllabuses and that you only select current Grade 8 pieces if they allow you to demonstrate your full technical ability and musical sense. You will be given a short quick-study to prepare during your warm-up time.

研究生:

Postgraduate Programmes in Music Performance:

You should prepare a 30-minute recital programme of contrasting works designed to display the technical and musical aspects of your performing style. You will be invited to choose one of the works to begin your audition with, and we will choose up to two additional works that we would like to hear. Pieces may not be heard in their entirety. You will also be given a piece of sight-reading to prepare during your warm-up.

Postgraduate Programmes in Orchestral Performance:

IApplicants should prepare the following:

Violin

The 1st movement of a Mozart concerto (without cadenza) of their choice, a contrasting work of their own choice AND the following excerpts:

Handel: Jeptha – Overture (Menuet)

Beethoven: Symphony No 1 – 2nd Movement (Andante, bars 1-63), 3rd Movement (Menuetto, bars 1-79)

Rossini: William Tell – Overture (bars 243-344)

Berlioz: Symphonie Fantastique – 1st Movement (bars 1-25 and 50-119)

Brahms: Symphony No 4 – 1st Movement (bars 19-94)

Mahler: Symphony No 4 – 3rd Movement (Fig 2-3 and 9-11)

Berg: Wozzeck – Act 2: bars 4-5 (opening, Poco Allegro), bars 171-177 (Maßage Viertel)

Candidates should study these excerpts to show that they understand the context and style, and observe all the marks (dynamics and tempo) written by the composer. Please note that you may be asked to perform them in different ways by the panel to demonstrate a flexible approach to musical understanding.

Viola

The 1st movement (with a cadenza of the student’s choice) of ONE of the following:

– Stamitz Concerto in Bb major

– Stamitz Concerto in D major

– Hoffmeister Concerto in D major

Plus a contrasting work of their own choice AND the following excerpts:

Bach Brandenburg Concerto No 3 – 3rd Movement (Viola 1)

Mozart Symphony No 35 – 4th Movement (bars 134 – 181)

Mahler Symphony No 9 – 1st Movement (Fig 9 – 11)

Strauss Don Quixote – Introduction and Fig 6 – 9

Elgar Enigma Variations – Ysobel and Dorabella solos

Cello

The 1st movement (with a cadenza of the student’s choice) of ONE of the following:

Haydn: Concerto in C major

Haydn: Concerto in D major

Plus a contrasting work of their own choice AND the following excerpts:

Bach: Cantata Weichet nur, betrübte Schatten, BWV 202, 3rd Movement (Aria: Phoebus eilt)

Mozart: Symphony No 39 – Finale (bars 116-137)

Mahler: Symphony No 5 – 2nd Movement, Fig 5 (Bedeutend Langsamer) to Fig 9 (Tempo I subito)

Smetana: Bartered Bride – Overture (bars 1-105)

Strauss: Ein Heldenleben (Opening – Fig 5, Fig 9-7 bars after Fig 13)

Double Bass

The 1st and 2nd movements of ONE of the following:

– A concerto either by Dittersdorf or Dragonetti (with a cadenza of the student’s own choice)

– Jacob: A Little Concerto

– Hindemith: Sonata

– A work of comparable difficulty

Plus a contrasting work of your own choice AND the following excerpts:

Beethoven: Symphony No 5 – 3rd Movement (bars 1-100, 140-218)

Schubert: Trout Variations – Variations 3 & 4

Mahler: Symphony No 2 – 1st Movement (opening – Fig 2)

Shostakovich: Symphony No 5 – 1st Movement (Fig 22-4 bars after Fig 26)

Verdi: Othello – Act IV (Solo)

Applicants are expected to provide their own copies of these extracts

PGDip Advanced Professional Practice:

Instrumentalists should prepare a 30 minute recital programme. The panel will select pieces they wish to hear from your programme during audition. Please note that pieces may not be heard in their entirety. We will provide an accompanist, if required. There is no additional cost for this. You will have access to an individual practice room in which to warm up for 20 minutes before your audition starts.

学费:

本科:19,995英镑/年

MMus一年课程:19,995英镑/年

MMus两年课程:15,074英镑/年

文凭类一年课程:18,834英镑/年

文凭类两年课程:14,248英镑/年

申请截止日期及语言要求:

2019年入学申请截止日期:2018年10月1日6PM

英语成绩:

本科:雅思总分不低于5.5,单项不低于5.5

MMus一年课程:雅思总分不低于6.5,单项不低于5.5

MMus两年课程:雅思总分不低于6,单项不低于5.5

文凭类:雅思总分不低于5.5,单项不低于5.5

博士:雅思总分不低于7,单项不低于6.5

 

下一篇将介绍皇家威尔士音乐与戏剧学院Royal Welsh College of Music & Drama-作曲专业